HOME

We’re a family, but the only thing that binds us now is blood. We are western lowland gorillas, displaced in the Virginia Beach zoo, but no complaints. Our living space is open and rich with what we need: water for bathing, trees to climb, and a cave to hide in when the world gets too large. The food is great if you like roots and celery, and I sure do!

We have names: Cindy, Doogie, Zip, and Jude. I am Jude. Tourists call out to me, Hey Jude, don’t let me down.

In sign language, I tell them: I will kill you.

Our zoo is failing. Last month, the prairie dogs were relocated a few miles up the road, to Norfolk, to the good zoo, the giraffe zoo.

 

 

THUNDER

Cindy is afraid of thunder. I never hold her anymore except for times like these, when lightning crisscrosses overhead, and thunder rumbles and Cindy shakes in my arms. I hold her. I say, It’s just weather, Cindy Loo. We loved each other once–that’s what I remember every time it thunders over Virginia Beach. When it thunders, we sit under the arch of the cave with our arms looped around each other until the storm passes, and then she goes away.

 

SOOKIE

Sookie is our caretaker. She feeds us, brushes us, and delouses us. Sookie has an advanced degree in zoology and another, lesser degree in child psychology from Old Dominion University. Her thighs are wide and muscular, and she showers with a soap that smells like carrots. She’s a substantial woman, with excellent teeth. When she hugs me, she puts all her body into it. When she hugs me, I enfold her and she sinks into the pillowy heft of me and laughs and says, Jude, Jude, let go, but I never want to let go.

 

 

KING KONG

King Kong is just a cartoon, fictional. Sookie has told me that in times of stress and sadness I should close my eyes and visualize something peaceful, a home, my home, my family.

But I don’t remember my home, so I imagine A Home. A tree-filled living room, bathtubs filled with celery, a detachable roof so Sookie and I can watch the stars at night. She wants me to work on my anger because her dissertation project depends upon my gentle disposition, but I rage.

At night, almost every night, I whiff my body for lingering scents of Sookie. I hear the night shift workers–last week, their paychecks bounced. A boy with a push broom stops working long enough to wave to me. Hi Jude, he says. Nice night.

 

OATMEAL

Today, Sookie has a new partner, a man, a visiting zoologist from Durham named Chad.

Chad fills a notebook with doodles and sentences. He takes pictures with his expensive-looking camera. He mentions, casually, to Sookie, that he used to model. Just like that: “I was a full-time model for five years, but animals are my passion.”

Sookie keeps touching Chad’s arm, and laughing at the blah-blah-dumbass coming out of his model mouth. When she leaves our living space, she forgets to hug me. For a few minutes, I stand there, arms open. In the fading distance, Chad talks to Sookie about oatmeal facials and his wide pores.

 

SAILS

This is our last summer in Virginia Beach. Sookie was almost crying this morning, talking to Chad, leaning back into his arms. She said, It’s like the last day of summer, every day. She hugged me, too, but it’s not the same anymore. There’s nothing between us.

Now, it’s late. I sleep on a bed of banana leaves. Cindy sleeps with her arms curled around Doogie and Zip. A waxy yellow moon dangles in a muddy sky, and in that light, I look at the sleeping faces of my family. Soon, they will tear down this zoo. They will plow down the trees and our cave. Trucks will arrive with concrete and gravel. We will ride in trucks to new places, new people, but I don’t want to go that way.

I lift the banana leaves from my bed. They look like sails. Imagine a kite, a kite made with banana leaves and vines. In hurricane season, I could unfurl the kite and let the wind plump these sails. Cindy takes my hand, and then Doogie’s hand, and Doogie attaches himself to little Zip. The wind howls and trees bend and twist and break, but that same wind lifts us away from here and into a swirling sky, over the ocean, under the moon.

 

 


Jeff Landon’s short fiction has appeared in Mississippi Review,  Crazyhorse, Another Chicago Magazine, phoebe, Other Voices and other places. He has also published many shorter pieces as well as two short books:  Emily Avenue (fast forward press) and Truck Dance (matter press).  He lives with his family and teaches In Richmond, Virginia.